nautical
Cymbeline doesn't really like boats, but they're the only way to get anywhere in a reasonable period of time, especially when "anywhere" isn't on the mainland. Today he is sailing to Vectis, to oversee the change of governorship; his father the king is needed for courtly matters back home and his mother the queen, despite being the source of his royal blood, declines to involve herself in affairs of state when she can avoid it. Zoyah takes more after Ranae than after Charles in this department. So, it falls to Cymbeline.
Walking on a boat is even more difficult than walking on land, and Cymbeline is no great shakes at the latter to begin with. Unfortunately, neither he nor Kerem, the court magician and Cymbeline's confidante, have been able to figure out how to apply the principles of practicable magic to alleviating princely clumsiness. So Cymbeline is clinging to the railing of the boat, watching the waves, trying to avoid having to walk anywhere.
Walking on a boat is even more difficult than walking on land, and Cymbeline is no great shakes at the latter to begin with. Unfortunately, neither he nor Kerem, the court magician and Cymbeline's confidante, have been able to figure out how to apply the principles of practicable magic to alleviating princely clumsiness. So Cymbeline is clinging to the railing of the boat, watching the waves, trying to avoid having to walk anywhere.
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This boy has feet.
Ariel inspects them, poking her fingers between his toes. They're cute! Like funny hands. (She looks up at his face. Is he awake yet? No.)
"C'mon," she murmurs, trying to stir the magic of her voice, even though she knows it doesn't really do that kind of thing. "I didn't drag you all this way to have you die on me." She kisses his forehead. "Wake up, pretty boy."
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"Too bad, I guess," she says. "If I stay out any longer, Dad'll serve me for dinner." She gives him a last, thoughtful look, then kisses him on the mouth (because when is she going to get another chance?) and starts hauling herself down the beach towards the water. The sand itches between her scales.
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He has the oddest, most vivid memories of being spoken to. Despite having been unconscious, he heard. Despite not knowing any of the words she used, he understood.
He hauls himself to a sitting position, coughing.
There are strange tracks in the sand. Handprints, too small to be his, and larger smoother depressions in the beach, like a seal or a dolphin with human forelimbs hauled itself up alongside him - with him? In tow?
He doesn't know what to make of that.
A quick assessment of his surroundings is in order. He starts along the shore, looking for a stream; fresh water will lead to people, and he's recognized over the whole of Loegria and its neighbors; he can get home as soon as he finds civilization of any kind.
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The king under the sea doesn't serve her for dinner, but it's a near thing. She's a week recovering, and she'll have another scar right down the length of her tail.
She can't stop thinking about her little taste of the surface.
What must it be like up there? Whatever it is, it can't be as bad as it is down here. And her father won't be able to find her no matter how he looks. That's worth a lot.
By the time she can swim well enough to leave the palace again, her mind is made up.
She goes looking for the witch.
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Here she is, deep inside the twists and turns of a stinging reef, with her garden of polyps, and her collection of sea-glass with small trapped moving things in each piece.
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"Do you? Well then, pretty voice, why don't you come in," says the witch, mimicking the inflection, if not the power. "And we'll see if we can't make a deal."
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"Whatever, then."
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"Yeah."
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The transfer takes about five minutes of humming concentration, and the moving shape in the glass changes, and Ariel's tail is sliced right through the middle and changed.
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